

Laraaji: Guided Laughter Release
Unwind and connect with this therapeutic session with Laraaji. Along to his Zither, Laraaji helps you use laughter to reach a meditative inner state. Read more about the show.
This broadcast is the first of a three-part series on embodied listening and non-verbal vocal expression, curated by Radna Rumping. Coming up: ‘Raoni Muzho Saleh - Gathering in a Polyphonic MOOOOAAAAAAANN Safeguards Solidarity’ (26 September) and ‘Laraaji, Raoni Muzho Saleh & Radna Rumping in conversation’ (3 October).
SPRING 2023 RESIDENCIES COMPLETED
The Ja Ja Ja Nee Nee Nee residency programme supports visual artists experimenting with radio. Our latest round of residencies have now come to a close, with Spring 2023 residents Mikatsiu and Alec Mateo presenting the final outcomes of their research through the audio pieces below.
Listen back to all episodes of Vampires Can´t Have Anything
A live show about all the vampire references in our contemporary visual culture by Elif Satanaya Özbay and Andrea González Garrán.
MF muun: a dj archeology
To conclude his residency at Ja Ja Nee Nee Nee, Emiddio Vasquez presents MF muun: a dj archeology, a backspin on his opening work nuum FM. Here he approaches radio through its “transmission-reception” operation in a dual form: its political character in the history of pirate radio and its ecological role in bat’s echolocation.
Bruno Zhu about A Maior
Bruno Zhu talks to us about A Maior, a curatorial program set in a home furnishings and clothing store in Viseu, Portugal. Listen now in our latest podcast episode, available on iTunes Podcasts or here below.
Artun Alaska Arasli
An attempt to approach the radio play genre through what surrounds it, Philoctetes: Rehearsals (Act I) is the first act in imagining the processes of a non-existent play through the play's rehearsals and the life of its actors outside practice hours. Presented here in this first act is the beginning of its rehearsal processes: actors commute back and forth to the rehearsal space, and initial discussions are carried out to grasp the text. This radio play is made almost entirely out of found sounds, with occasional interjections by the artist.
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